The colonial architecture spanning about to years under the British Empire attained its golden age in the second half of the 19th century, representing an important phase in the modernization of the country, modification of a stark medieval lifestyle got to ultimately become a democratic one at the dawn of Independence in India became independent from the British Empire in and Indian architecture immediately parted from European classical styles and rushed into modernism.
Modern Indian architecture still honours and upholds the traditions of India, but the architectural form works to better meet the needs of modern-day society. Modern Indian architecture reflects its various socio-cultural sensibilities which vary from region to region.
Post, Indian architecture was at a standstill in terms of progression; there was no unique identity being formed. However, when the Indian Punjab government took on world famous architect Le Corbusier to design the city of Chandigarh, an architectural breakthrough began. Architects working in India began to draw inspiration in the years following Le Corbusier's work, and thus began a more rapid evolution of modern architecture.
Indian traditional architecture has produced many architectural marvels which are admired the world over. In comparison to traditional architecture, modern Indian architecture is a new phenomenon and it has been consistently evolving not only to produce architectural marvels like Lotus temple, planned cities etc. Talk to us for. UPSC preparation support! Talk to us for UPSC preparation support! Study Online at close Your Exam segments is being saved. The company which was operating from Surat was in search for another deeper water port so than larger vessel could dock and found the island of Bombay suitable for development.
Bombay architecture came to be present through the British in the 18th and early 19th centuries. At first it was the neo — classical style of Architecture but then a new style came to exist one that reflect modern European fashion.
The classical has an orderly monochromatic presence the gothic style is expressive, disjointed with surface of live color. Bombay city hall was built during period — 35 the university Mumbai library, Rajabai tower, Xavier college, Chhatrapati Shivaji terminus are fine example of gothic architecture in the city.
The Indo — Saracenic style developed in the second half of the 19th century combining Islamic and Hindu architectural style with its Characterized domes, arches, stained, glasses, spires and minarets. The gateway of India and Chhatrapati Shivaji Maharaj Vastu Sangrahalaya are the fine example of indo Saracenic architectural style in the city.
Art deco is one of Mumbai least noticed architectural style, through Mumbai and its Sabarbs possibly have the largest number of art deco building in the world. Art deco in India evolved into a unique style that came to be called deco — Saracenic.
It was a combination of Islamic and Hindu architectural. The Mahalakshmi temple, the Tahangir art gallery, the high court, the general post office, the flora fountain, regal cinema and Eros cinema. The gateway of India is a monument built during the British raj in Mumbai.
It is located on the water front in the Apollo Bander area in south Mumbai and overlook the Arabian sea. The structure is a basalt arch, 26 meter 85 feet high. The gate way of India also been Reffered to as the Taj Mahal of Mumbai and is the city top tourist attraction. The Taj Mahal palace hotel is a five star hotel located in the Colaba region of Mumbai Maharashtra India next to the gate way of India Parts of Taj Hotel, resort and palace this hotel is considered the flag ship property of the group and contain rooms and 44 Saits there are some staff including 35 butlers.
From a historical and architectural point of view, the two building that makes up the hotel the Taj Mahal palace and tower are two distinct building. It is a place where the viceroy and Governer uset to land upon their arrival of India. The second and third are used for commercial ferry fourth is closed and fifth to the royal Bombay Yatch club.
Completed by an English engineer W. A chamber. The builder was khan Saheb Sorabji Rutton Ji. The Muncipal corporation Building was located in south Mumbai in Maharashtra, Mumbai, is a grade a heritage building opposite to the Chhatrapati Shivaji Terminus at the junction of Padabhai Naoroji road and Mahapalika marg.
Mumbai corporation of greater Mumbai and which has its own motto — Yato Dharmastato Jaya. It is said to be the largest civic Organisation The Muncipality was Intially housed in a modest building at the terminus of Girgam road.
In it was shifted to a building on Esplande. Bori bunder was one of the areas along the eastern shores lines of Mumbai , India which was used as a storehouse for goods imported and exported from Mumbai in areas name.
Bori bandar literally means a place where sack are stored. The station was eventually rebuilt as the Victoria terminus named after the then reigning queen. Flora fountain at the Mahatma Chowk is an ornamentally and exquisitely sculpted architectural heritage monument located at the southern end of the historic Dada Bhai Naroji road called the mile long road at the fort business district in the heart of south Mumbai. Flora fountain built in , is a fusion of water, architecture and sculpture it total cast of Rs 47, or pound sterling.
Magdalena Pattarachalit Dec. Good luck! VirajSaple Sep. ParthJain57 Jul. KanakGangil Apr. Show More. Total views. You just clipped your first slide! Cosmology Historically, architecture of various cultures has attempted to present a model for the cosmos. The Indian Vaastu-shilpa tradition was intrinsically linked to Hindu cosmology, astrology, and mythology, and was considered superstitious and retrogressive by the modern architectural fraternity, until post-modernism rendered it with a patina of avant-garde and intellectualism.
Building technology and skill available in India is probably not favourable to such architecture; indeed, very few designs have been realized even in the affluent western world. Also, it may be conjectured, the absence indicates that fragmentation, disorientation, and alienation are yet to become predominant realities of Indian society.
Some of the gravity-defying structures by Hafeez Contractor at Infosys Mysore may indicate that deconstruction has finally arrived, but how much of the styling arises out of the theoretical paradigm is questionable. Multi-valence Undoubtedly, the most important paradigm of post-modernism is meaning, and especially, multiple coding.
Jawahar Kala Kendra may be taken as a suitable attempt at multi-valence, where Correa presents parallel references to ancient Indian cosmology and shilpaic traditions, Indian visual culture, the context of the city of Jaipur, as well as to Jai Singh and Jawaharlal Nehru as individuals who were both traditional and modern. Again, B. However, two important questions arise, which may be discussed as follows. What Happens post Post-Modernism?
None of these new theories and labels has so far gained widespread acceptance, and post-modernism remains the most relevant paradigm for the continual quest. Richard Bernstein states: "There are moments in history when, because of all sorts of historical accidents… a new set of metaphors, distinctions, and problems is invented and captures the imagination of followers" Bernstein, , as cited in Bloland, , p.
Might this mean post-modern architecture does not have the necessary catalyst to emerge as a critique of socio-economic realities, and is experienced only because of formal influence of international trends? Also, Indian modernism itself was often a modified expression: a regional third world modernism, at times bordering on some of the very attitudes of post- modernism. For example, neo-traditionalism emerges as the most predominant post- modern tendency in India, whereas the traditional had continued to influence Indian modernism throughout its growth and development.
Thus, can Indian post-modern architecture be interpreted as a revolution in reaction to the modernist practice or a progressive evolution of it? Further studies may confirm the suggestion of a possibility of arriving at the same solutions through two very different paths. References Allan, K. A formalization of postmodern theory. Sociological Perspectives, 43 3 , Bhatia, G.
Punjabi baroque and other memories of architecture. New Delhi: Penguin. Bloland, H. Whatever happened to postmodernism in higher education? No requiem in the new millennium.
The Journal of Higher Education, 76 2 , Brown, R. Art for a modern India, Bulley, M. Successor states to an empire in free fall. Modern architecture since 2nd ed. Oxford: Phaidon Press Limited. Frampton, K.
Towards a critical regionalism: Six points for an architecture of resistance. Foster Ed. Original edition published Jacob, J. The death and life of great American cities. London: Jonathan Cape. Jencks, C. The language of post-modern architecture 6th ed. London: Academy Editions. Kropf Eds. Chichester, West Sussex: Wiley-Academy. Original work published Introduction: The volcano and the tablet. Johnson, P. The seven crutches of modern architecture. Lang, J.
A concise history of modern architecture in India. Ranikhet: Permanent Black. McLeod, M. Architecture and politics in the Reagan era: From postmodernism to deconstructivism. Michel Hays Ed. Naidu, A.
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